A little light..

I am super stoked about this Little Window. I’ve been working on her for a long while. The little figure was something from my Aunt’s. She is hanging out in a bespoke shea butter tin. The moon is an antique carved shell button; the small frame was on an icon I picked up somewhere; and the rest is just craft fluff.

I’ve been mulling over and over what she was gonna look like. I thought seed beads rain drops. I knew I wanted a garden at night, in the rain. But she really just came together a few weeks ago. Once I split the moon, the rest just fell into place.

Think “I wandered lonely as a cloud” set in a moist rose garden. She is lost in her thoughts. It’s melancholy, intentionally.

I love how she turned out. I have a few more edits to make, but I am happy to introduce, Moondance, or maybe Mandy Moondance….?

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Rebecca Cramer, raised in Oklahoma City, OK, had her first job in design, layout, and printing of concert posters for artists like B.B, King, Bobby Blue Bland, and Wanda Jackson at her family’s offset and lithography business, Colorcraft Poster Company. Her career history includes editing and managing the review process for The American Ornithologists’ Union’s magazine The Auk, as well as teaching English at the secondary and post-secondary levels. In 2008 she completed a Master’s in Applied Linguistics (TESOL) at Oklahoma City University. One constant has been Becca’s love for the arts and her penchant for creating, and she approaches design and construction from an artist's perspective. She has worked such diverse media as silver-smithing, collage, and found-item art. She loves repurposing things others throw away into something useful and beautiful. Early on, Becca displayed a passion for makeup early, when at the age of two she broke into her grandmother’s lipstick stash and applied lipstick to herself, the vanity, and the walls. In June 2012, she moved to Denver to become a makeup artist. Under the name Becca Be, and Fetch, her work has appeared in several fashion publications, including Dark Beauty, Jute, and Kai’outi magazines. She has also worked with designers for Denver Fashion Week, and with ADCD’s Paper Fashion Show (both as artist, and Production Designer).

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